
London born , Irish & US national—Michael Morris and Tokyo born, Japanese native—the late Yoshiko Sato, independently trained in the fine arts prior to studying architecture at The Cooper Union . Completing their degree in 1989, the pair began teaching at architecture and fine art colleges, continued their professional training in the offices of Tod Williams, Billie Tsien, Toshiko Mori, James Carpenter, and Diller + Scofidio, and pursued their post-graduate studies in Ireland and at Harvard GSD. respectively. Following years of independent pursuits, in 1996 the pair became the Morris Sato Studio, NYC.

Widely recognised for creating 'otherworldly' projects, Morris Sato Studio infuse temporal and spatial dimensions with equal parts —material, light and air, into formally restrained, expertly crafted, and finely detailed works that seamlessly integrate innovative technology with advanced means and methods. In 2006, while teaching at Columbia University the partners launched their Studio's cosmic research arm— Space Exploration Architecture - SEArch+ http://www.spacexarch.com/ to connect, investigate, and explore places
for potential future human life through NASA collaborative designs of habitats and infrastructure beyond planet Earth.
LightShowers, an example of the Studio’s applied research, fuses lighting, material, technology, and fabrication into immersive experiences to support health and wellbeing. Sato Morris' interactive multimedia installation was inspired by biofeedback protocols in treating cardiac patients at Columbia Presbyterian Hospital in NYC. LightShowers seamless digital integration of LEDs and video projections created a sensorial, therapeutic, and spatial experience that aligned the human breath at rest with the universal rhythms of nature. Presented in 7 international venues, LightShowers was experienced by more than 200,000 visitors.

“Designing for a world already full,” Morris Sato critically engages in ground-up, adaptive-reuse, and conservation projects. In dialogue with the past and learning from the ready-made, the Studio works both intuitively and deliberatively—like a gardener—cultivating opportunities that inspire wonder and safeguard present and future ecologies. Through collaborative, multi-generational efforts,
Morris Sato Studio strives to honour the social contract of giving something back.



Morris Sato interior designs employ the Chinese-Japanese 'borrowed landscape' garden principle to synchapate light, air, matter, texture, and colour with the environments beyond.

By extending the 'borrowed landscape' principle into the public realm, the Studio's work aims to engage all of the senses combining nature and man-made to celebrate the ephemeral.

Recognizing our climate emergency, Morris Sato is committed to implementing The UN's Sustainable Development Goals in support of all life forms and communities around the globe.

Morris Sato Studio is committed to improving existing and innovating next-generation medical facilities to become increasingly humane, resilient, and sustainable spaces for healing.

Balancing hygienic and healthy materials with functional design, Morris Sato equally strives to create purposeful and empathetic places that are accessible, inclusive, and welcoming.

Morris Sato Studio regards their role to be in service of others. Practicing in collaboration with many experts we aim to deliver excellence.

Striving to inspire, our Studio is dedicated to ethically protecting human rights and providing the basic need for shelter and safety.

We invest in one another equitably, honour diversity, and work inclusively to create pathways that contribute locally and globally.





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